One on One sessions are designed to focus on your specific needs, up your game and delve a little deeper. Our time together will focus on vocal tips, storytelling and personalization of your piece. Ultimately, it is about finding the most positive and empowered version of yourself and letting that shine through your work. This time can also be used to chat about the business, career coaching and discuss college/training. I look forward to meeting and working with you!
Dana Steingold originated the role of Girl Scout in Beetlejuice on Broadway where she also covered the role of Lydia Deetz. Broadway/National Tours: 25th Annual Putnam County Spelling Bee. Off Broadway/New York: Avenue Q (Kate/Lucy), The Visit (Otillie opposite Chita Rivera), Saturday Night (Mildred), Anyone Can Whistle (City Center Encores!). Regional Included: Papermill Playhouse, North Shore Music Theatre, George Street, Westport Country Playhouse, Barrington Stage, Baltimore Center Stage, KC Rep, North Carolina Theatre, Two River, Weston Playhouse. She is the voice of Saraline Timbers on Nickelodeon’s Welcome to the Wayne.
This purchase benefits Broadway For Racial Justice.
BFRJ has been listening very fervently to the calls for progress across the education front. In our collective spaces, we began to see a clear opportunity to create a moment for unification and immediate action within the higher education arena.
The Mission: Fighting for racial justice and equity by providing immediate resources, assistance, and amplification for BIPOC in the Broadway and Theatrical community at-large. In doing so, we help to create safe spaces throughout the theatre community for creativity and artistry to thrive.
Decolonize This seeks to aid in the transformation of the entire landscape of higher education, which serves as a large training ground for the theatre industry. Decolonize This will give space for healing, provide tools and resources for active immediate change, and amplify/provide access to the diverse voices that have been working towards the decolonization of higher education in the theatre arts.